The Tempest
The Tempest, one of Shakespeare's last plays, is remarkable for its elaborate staging and close adherence to the neo-classical "Aristotelian" unities. A traditional approach to the play was to see it as Shakespeare's formal farewell to the stage; more modern readings see it as a more complex study in the use of power, especially in its overtones of colonialization.
The subjects in the following pages include:
- The "unities" in The Tempest
- Prospero, the magus, and Shakespeare
- Caliban and colonization
- Ferdinand and Miranda, the young lovers
- Tricks of the trade: issues of staging
- Music and masque
See also:
- A modern text of The Tempest.
- An old-spelling text of Folio 1.
- A list of book facsimiles that contain The Tempest.
- The essential facts about the play.*
Footnotes
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Summary: facts about The Tempest
Written:1611
First published: 1623 in the First Folio First mention: performed before the King on Hallowmass Night (November 1611Source: this is one of the few plays where Shakespeare seems to have devised the plot himself.